Vivian Maier: Talented, but needed a good editor.
- January 11th, 2011
- Posted in Uncategorized
- By Edie Howe
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Over at The Online Photographer, Michael Johnson Mike Johnston Dave Fultz offered his thoughts on the Vivian Maier show he attended this morning. For those who haven’t heard, Vivian Maier’s work has just been “discovered”, and is now coming to light. There’s a fascinating backstory to this remarkable woman, and I’ll admit to a certain amount of projecting on my part. Vivian was employed for many years as a nanny, but her real passion was photography. She left behind a huge amount of negatives, ranging from the purely pedestrian to the stunningly sublime.
I’d say that Vivian’s work is a prime example of how talent can only take you so far, that often we become so bound up in our love of our work that we often can’t see the difference between an image that is so-so and one that is heart-stopping. Part of the process of being an artist is being able to cull the crap and present the best.
Here’s something to consider; art is almost nothing without an audience. There is a certain amount of joy in making art; Why do we sing alone? It feels good. We take a certain pleasure in the sound of a melody. But it’s the interaction between an artist and her audience that multiplies the joy, and the process takes on a gestalt. It becomes more than the sum of its parts.
I’m guilty of presenting images that bring me great joy, but often elicit yawns from my audience. Likewise, I’ve presented work that I wasn’t that invested in, and gotten rave reviews from you kind folks. It’s my job to learn what you all like, and to offer that, not just the stuff I love. Sometimes, rarely, the two coincide, and that is pure bliss. At the risk of being crude, it’s rather like simultaneous orgasms!
Edited to correct Mike’s name-spelling, and the fact that I got the reviewer wrong. Thanks for the correction, Mike!
Edie:
I’ve been a bit out of the loop during the past few weeks. Despite keeping up on my blog I’ve been very busy with a project that you may get to see in Death Valley before long. Let’s just say that involve making over 300 prints.
In any case, I haven’t read the whole story yet, but I’m glad to see that you got some (many? all?) of your photographs back from the erased hard drive. Good news!
I’ve seen a bit of the Vivian Maier work here and there over the past few weeks. My initial impression is that her work is going to be much better than anyone knew, but ultimately perhaps a little less great than some might hope. But we can’t hold it against her that the photographs are not uniformly wonderful. (Boy, it would sure be hypocritical of me if I did that given the thousands of images I have stashed away on hard drives!)
I just visited the blog where many of them are posted and looked through a bunch of them. They fall into several categories, at least as I see it with my superficial look. In ascending order of significance I see:
1. Some that are pretty darn pedestrian. Who knows what she thought about them or whether she would have even chosen to show them?
2. Some that are interesting in the Really Good Photo Class work sort of way. They are fine photographs and show consciousness of photographic ideas, either from training or a natural eye.
3. Some classic “down and out” photographs. Some people are moved by photographs of the poor, the downtrodden, and the degraded – but this sort of work more often than not – but not always – makes me a bit uneasy, often with the feeling that the photographer is trading on the misfortune of others in a simplistic and voyeuristic way.
4. Some that are really interesting primarily for historical reasons – and interesting they are! The provide – maybe sort of like Atget, but with a different kind of subject -an intimate look at lots of wonderful details from a time that is some decades gone now.
5. Some absolutely beautiful and astonishing photographs. This one for example (http://2.bp.blogspot.com/_YUrw6ooCZj4/TR0Zv21nu-I/AAAAAAAABBc/z14XKTaA2lU/s1600/59-567%2Bpost.jpg) just knocks me out in so many ways. And the photo of the “fat kid with bird” sticks in my mind. There is so much to think about in the photo of the man with the balloon where is face should be and the small child reaching for the balloon.
Anyone who can achieve #5 has done something very special.
Dan